
A few weeks ago, a model friend of mine, Rachelle Kathleen, and I were planning to meet for a fun little photo shoot. Instead of searching out the usual beautiful locations around where we live, I had the idea to do just the opposite. I wanted to go somewhere “ugly” by all conventional photography standards, and then see what we could do with it, and Lowe’s seemed like the perfect option.
The point was to challenge ourselves. I wanted somewhere with horrible lighting and limited backdrops. Somewhere that made absolutely no sense for a photoshoot. Our local Lowe’s Home Improvement Store hits all those points. Before we went in we decided on a few rules:
1.) We had to work with whatever was already there. I brought in just my camera, without any artificial lighting or props. She simply brought a small bag with a couple outfit options.
2.) We couldn’t rearrange the displays or make any big changes. In one instance (as you’ll see later) we moved a cart from the side of the aisle to the center, but then put it right back. We’ve both spent years in the service industry, we weren’t about to leave the workers with a trashed store an hour before closing time on a Sunday night.
3.) We’d stop shooting if anyone was in the background. We didn’t want to give anyone any reason to complain, so we went to a spot that was completely empty of customers, and if someone did show up, we lowered the camera until they were done browsing and left the area.
Of course if none of this was allowed we would’ve left, but as soon as we walked in an employee asked if they could help us and I asked, “We were just going to take a few photos, is that okay?” He replied, “Of course! I was just wondering why she was so overdressed for a trip to the hardware store!” Since they were about an hour from closing the store was almost completely empty, though anyone we did come in contact with was super friendly, if not slightly curious. We had a few people stop and watch, but that’s to be expected anytime Rachelle models anywhere. The girl just can’t help but stop traffic.
And this is what we got! I’ve included the cell-phone pic of the actual location along with each photoset, so you can see what we were working with :). You can see more of the photos on my Instagram, and more behind the scenes shots here:
Lowe’s Location 1: The Paint Samples
I have to admit, I have always wanted to shoot in front of these paint samples, so as soon as we walked in the door I made a bee-line right to them. I’m excited I finally got to shoot in front of them – these shots turned out to be some of my favorites!
Location Shot:
SOOC:
Edited:
Lowe’s Location 2: The Lighting Section
I was also excited for the lighting section. I’ve always been a fan of shooting straight into the light (though I’ve heard it’s a bit of a no-no). The main problem were the lights were so much higher than we thought…or maybe we’re just a lot shorter than we realized (we’re both barely 5’4″).
I knew the light itself was going to be pretty horrendous, with all the different colors, brightness levels and shadows, but I was excited to give it a shot. You can see in the second photo what it looked like straight out of camera.
Location Shot:
SOOC:
Edited:
Lowe’s Location 3: The Aisles
We knew we couldn’t avoid the aisles. Photographically speaking (is that a word?), they were awful. Horrible lighting, lots of plastic surfaces, really nothing that would be considered aesthetically pleasing, but that was the point. This was the essence of Lowe’s, and we wouldn’t have been doing the challenge justice to steer away from it.
Also, yes, we know you aren’t allowed to sit on the carts. An employee was there and gave us permission to keep shooting. Like I mentioned earlier, we were in a pretty big hurry, so she was sitting on that cart for a total of maybe 6 minutes, so calm the hell down, it’s not like we were dancing on them.
And yes, we know there has probably been something pretty disgusting spilled on them at some point, but we really couldn’t care less. Rachelle and I have shot nude in abandoned buildings full of spiders, bats and bird shit, a dry cart really isn’t much of an issue.
We shot in both the larger aisles and the skinnier ones. Here’s the larger aisle:
Location Shot: Aisle 1
SOOC:
Edited:
Location Shot: Aisle 2
Lowe’s Location 4: The Garden Section
I would’ve loved to spend more time in the garden section, but the store was closing and we were running out of time. We spotted a cluster of fake shrubs and I had her kneel down in front of them so I could fill the frame. It’s too bad we had to move on so quickly – this was actually the best lighting we got out of the entire store! If we had been there in the daytime, it probably would’ve been even better!
I knew I wanted to edit the finished photo with a kind of moody, wintery look. So even though the raw image really wasn’t too bad, it still needed some adjustments to get to what I wanted it to be.
Location Shot:
SOOC:
Edited:
Overall, this was a really fun challenge! Not that I’d invite an actual client to ever do a Lowe’s Photoshoot (I mean, never say never), but I was pretty happy with the result! Horrible location for the win! Next time you see an awful spot, maybe give it a chance, you never know what you might end up with. 🙂
If you’e interested in any of the presets used for these photos, click HERE.
Make sure to subscribe HERE for our next “ugly” location shoot (hint hint, it has something to do with cars), and follow me on Instagram to see more from this shoot and some of my underwater work. You can also follow me here to see all my before and after shots, and Rachelle Kathleen here to see more of her modeling and makeup projects!
Jim
Great concept, great execution! I enjoyed this article.
jennamartinphoto@gmail.com
Thank you Jim!
αмєєя αℓi (@ameerali19)
phots are great and concept is fresh, i won’t agree witht the term Ugly place
jennamartinphoto@gmail.com
Thanks! Maybe “ugly” isn’t the correct term since people can’t seem to understand I’m not describing Lowe’s itself. Lowe’s isn’t an ugly place, but an “ugly” place in terms of what people look for in photo composition.
amanialshaali
This is so cool. I love those pictures and I love how you edited them 😀 especially the chandeliers one, that must’ve been tricky.
Now I kinda wanna try doing something like this :p
jennamartinphoto@gmail.com
Thank you so much! And you totally should I’d love to see what you come up with!
Nicole
I am in love with the light section photos. My while childhood getting drug into hardware stores I always hung out in the light section. I really want to try with my daughter. Gorgeous photos!
jennamartinphoto@gmail.com
Thank you so much Nicole! I hope you do!
Shay
I absolutely loved these pictures!! They speak to me in another level, I honestly didn’t think in doors pictures without studio lighting could look so good! If you don’t mind me asking how did you edit these?
jennamartinphoto@gmail.com
Thank you Shay! The editing is a bit in-depth to explain here, but long story short there was a lot of color correcting and then adjustments of the shadows and highlights. Hope the before and after photos helped!
Cinthia
Hey love your work and editing would like to ask if you don’t mind what program or website would you recommend me to use for something like that??
jennamartinphoto@gmail.com
Thanks Cinthia! I use a combination of Photoshop and Lightroom :).
Kay Bee
This is so creative and beautiful Lowe ‘ s should hire you
jennamartinphoto@gmail.com
Awww you made my day 🙂
JS
It’s an excellent concept. Lovely photos, LOVELY Rachelle Kathleen. Though, especially on the photo with the trees, I tend to prefer them in the original colors. However, I doubt I’d have known that without the SOOCs to compare, as I also liked the ones that didn’t have those.
Amy M.
Love the idea.. may I ask which Lowes u were at.. just a city/state.. just curious..
jennamartinphoto@gmail.com
Thanks! And I’m actually trying not to mention that, the employees were super nice and friendly and I don’t want to chance anyone getting in trouble :).
Stacy Ancel
AMAZING work! Brilliant idea! Just because I’m too curious, did the Lowe’s employees stop and watch?
Stacy Ancel
Never mind. Just read your reply above about Lowe’s employees
jennamartinphoto@gmail.com
Thank you! And one did, but they were very nice and friendly :).
Jon Cancelino
I did the same concept at Ikea with a model and 4 looks back in March. ?
jennamartinphoto@gmail.com
So cool! Great minds, eh? 😉
Siouxsie Hazel
Hello. What software are you using for the editing process in general? This sounds like a hobby that I could get into. Thank you for sharing your art!
jennamartinphoto@gmail.com
Hi! I use a combo of Photoshop and Lightroom. The adobe subscription is $9.99/month and you get both! 🙂
sam
omg your work is just way too amazing. such an inspiration to create a masterpiece out of normal situation. love it! mind to share what app u use to edit the pic? is any filters needed to create pics like that by any chance?
Keep up the great work tho!
jennamartinphoto@gmail.com
Hi Sam! Thanks so much! I actually didn’t use an app or any filters, I edited each photo in Lightroom. Hope that helps!
sol
what camera do you sneak in here? 🙂
jennamartinphoto@gmail.com
Haha a Canon 5d Mark III 🙂
Septi
Gorgeous picts !!! If u dont mind What applicataion do u use for editing those pict ?
jennamartinphoto@gmail.com
Thank you! These were all edited with Lightroom and a little Photoshop 🙂
amy
Wow, you are an real expert! I enjoyed it 🙂
(By the way I think the order of the SOOC pict and Edited pict in Location 4 has changed… I’m sorry if it is not.)
jennamartinphoto@gmail.com
Thanks Amy! ha and nope, they’re in the right order (the brighter one is the SOOC), but the SOOC was just pretty good there! Crazy, huh?
Branding Punto y Aparte
Nothing like a fast 1.2 lens to blur all the ugliness of any location. Very beautiful shots.
jennamartinphoto@gmail.com
Thanks! These were all mostly taken with a 50mm 18 though, one of the cheapest lenses out there ;).
Mark
My favourite is definitely the colouring swatches shots, super stylish. The last one where Rachelle is holding the swatches and looking at the camera screams “who me, I always come to the diy store dressed like this”… Fabulous.
jennamartinphoto@gmail.com
Haha thank you! We were kind of going for that. We wanted something a little ridiculous, because why not? ?
Stephanie Lane
Can I ask what lens you used? And what were your settings?
jennamartinphoto@gmail.com
Sure! I used a 50mm 1.8 for most shots (one of the most versatile, inexpensive lenses out there, in my opinion), and then an 85mm on a couple. The settings changed for every location.
Mahi
In the last one I liked sooc. Great work
jennamartinphoto@gmail.com
Thanks so much! I really liked that one too, I was surprised it came out that good!
lrh
With all due respect, I would never do this. It’s always been explained to me that you seek out the BEST with any shoot you engage in, ESPECIALLY one you’ve been paid to do. You seek out an ideal location with a good background & lighting etc so as to maximize your chances of excellence. If you find yourself in suboptimal conditions & you accept the challenge of making the most of it, that’s totally understandable, but to go out of your way to seek out suboptimal conditions as a “challenge.” You NEVER and I mean NEVER do that. EVER. You ALWAYS make excellence your goal. ALWAYS.
In fact, I’m so serious about this, I would refuse to do this “`even if the client asked me to do it.“`
jennamartinphoto@gmail.com
And with all due respect, what a horrible, awful, practice. The best backgrounds and lighting are not always available. Sometimes you just have to shoot in a shitty situation, absolutely nothing you can do about it. What do you think wedding photographers do everyday? Not every venue has amazing light, and not every wedding takes place at exactly 7:00pm with just the perfect amount of cloud cover. Sometimes a wedding photographer is shooting at noon is straight sun with wind blowing hair in the bride’s face. They have no choice but to adapt.
And you don’t learn how to adapt unless you put yourself in these situations. To expect to only shoot in perfect locations is so unreasonable it’s borderline insane. Your skills don’t improve, your outlook doesn’t improve, your work doesn’t improve. The only way to push yourself is to step out of your comfort zone.
Good luck shooting in optimal conditions your whole life, that sounds boring as hell.
lrh
As I THINK I stated, although I may have not, I do understand doing this sort of thing if it’s for PRACTICE, if as you said non-ideal situations come up & it’s either do the best you can or else do nothing, when of course doing the latter isn’t a choice you want to make if it’s a paid-for shoot, and so you therefore practice shooting in non-ideal situations so that you are prepared if such occurs. In that case I can see it, although I’d practice doing so for a “non-shoot” if you will.
However, if it’s an actual shoot of considerable importance and I have the choice between shooting in harsh noon-day sunlight with no shade OR shooting in quality shade that filters out the harshness, I am ALWAYS going to do that. ALWAYS. That is especially the case if I have promoted myself as a professional.
In fact I recently shot wedding photos for a mutual friend as a courtesy. It was at a location that doesn’t provide good lighting opportunities and sure enough harsh noon-day lighting resulted. My photog friend assured me that she herself, when pressed to shoot at that spot (as had occurred on occasion), warned her clients the results would not be as good and that she would not be held responsible for the subpar quality which resulted. I did the same thing. I wasn’t ugly about it, same with my friend, but that’s the idea–you want GOOD shots then seek out GOOD lighting and GOOD backgrounds, ALWAYS. You can call that “boring,” but to me striving for excellence is NEVER “boring.” Thank you, respectfully.
jennamartinphoto@gmail.com
And that’s where we’ll just have to respectfully disagree. I wouldn’t dream of telling a wedding client, “Sorry, but your photos aren’t going to be that great because the lighting is bad.” That’s not their problem. It’s not their job to find perfect lighting and location. It’s their job to get married, and my job to produce amazing caliber work no matter how awful the location is. That’s what professionalism is. You can’t blame the situation for subpar work. No matter what, show up, and take good photos.
This entire thing was for practice. Rachelle isn’t a professional model, she’s a friend of mine. This wasn’t even a planned shoot, it was complete spur of the moment. It essentially was a non-shoot.
That’s what’s so funny about it getting as much traffic as it did – it was just a little thing to kill time, ironically, lol.
ewa sztajnic
with all due respect LRH i would never hire you and i would hire Jenna Martin in an instant.
i know that she would do an awesome job even if the conditions were really bad.
i work with photographers a lot and i understand challenges very well and i also know that there is no space for “star” attitude with deadlines and client’s expectations.
bravo jenna, awesome attitude, what an amazing talent and idea. bravo.
VB
Thank you. I found the time you took to do this article really instructive and helpful (especially the sequence of the location shot, then the SOOC then the finished result). Great work.
I find a lot of post-processing, beyond basic corrections and adjustments, that I see done on the web is not to my taste. I’d usually prefer something much closer to the SOOC. These are beautiful examples of PP done well.
jennamartinphoto@gmail.com
Thank you so much!! Post processing is so subjective to the viewer, that’s so nice of you to say it’s well done. Made my day!
lrh
Just a practice and/or a “non-shoot,” huh? Ok. Maybe that would cause me to change my mind on it a BIT. I still tend to think that ANYTHING I shoot, other than a snapshot over a dinner party where it’s pretty much impossible to get anything of quality anyway and it’s basically just for remembering that you were there. Still, as I said, practice so that you know how to deal with those subpar situations is something I can understand.
I will say that I would never tell a would-be client that, hey, I’m going to get amazing photos no matter what. I would tell them I will do my BEST, but hey, if the lighting is horrible, that’s that. Just as my friend, who is a professional, told her clients “if you insist on having the ceremony here, the photos won’t be as good because the lighting is awful,” to me that’s totally appropriate.
I don’t believe “the customer is always right,” sometimes they’re wrong–not that you’re going to be harsh & blunt about it, but they are. It’s not “wrong” for them to want to be married at a given location due to convenience, sentimentality or whatever reason, but if they are wanting “great” shots and the location they want won’t be conducive to it, then they get what they ask for. The photographer knows what works, they’re the expert. In like manner, I would never, say, show up at my dentist having followed NONE of his flossing/brushing advice & then expect them to perform a miracle in spite of it, I’d merely expect them to do the best they can within reason given the situation. That my teeth aren’t pearly white–that’s MY fault, they told me to brush/floss and I didn’t.
I’m willing to do minor touch-ups in post-processing–color-correction, cloning out moles on faces etc, but I’m not spending HUGE amounts of time cloning out LARGE amounts of background clutter and performing shadow-highlight corrections when it could’ve been avoided had my advice been followed–unless they’re willing to pay a significant amount extra for it. Maybe that will net one fewer clients, so be it.
jennamartinphoto@gmail.com
Yeah, I’m not much of a “client is always right” person (hence why I no longer shoot weddings), but if they want to get married in a junk yard, I’m definitely going to make it look like the most amazing junkyard ever ;).
Julio
Urgh.. Im not even sure how to respond… but I’d suggest you really just go out there in the world and try to be not so perfect all the time. Jesus! this was a fun shoot that turned out to be amazing. What is up with your freaking “I must get it perfect all the time, otherwise I’m not doing it” high horse?! You should post your instagram here so we can all judge the quality of the photos you’ve actually done, versus the dreams you have about shooting something in the perfect conditions. Elizabeth Gilbert said it better “I dont want something perfect, I want something finished”. And Jenna finished it, and guess what?! She can move on with her life knowing that she did what she just wanted in that spur of the moment, without even caring about people (like you) would think of her work! Have you seen her work?! This girl can literally f(*& blow anyone out of the water (and I mean that literally, with her underwater shots) and here you are, trying to tell her what to do with your inappropriate use of capital letters and quotation marks! lol
Chiumeister (@chiumeister)
Beautiful subject is only accentuated by ugly setting. Time tested wisdom.
jennamartinphoto@gmail.com
Thank you so much!
Steve Greenwood
Great shoot! I enjoyed it even though fashion photography is not my thing.
Rule 1: know the rules
Rule 2: know when to break the rules
jennamartinphoto@gmail.com
Thanks so much! And hell yeah! 😉
Bill Morgan
Great idea, wonderful shots, beautiful model, although in general I preferred the SOOC shots over the edited versions. Most of the edited shots look blown out and unnatural. Still, it was an excellent project. I’d love to give it a try myself. Can I borrow your model? 😉
jennamartinphoto@gmail.com
Haha absolutely! She’s amazing, isn’t she? And yeah I tend to push the highlights – I love blown out shots for some reason. I have friends push the darks, and love a moodier look. To each his own! 🙂
Ebrahim Saadawi
That’s a lovely idea. I love the work and effort thanks a lot! It’s just that I think: your samples simply rely on telephoto compression and shallow depth of field/shooting wide open to isolate the background and increasing overall exposure. Nothing more. For example I’d like to see more samples of the same concept but with wider shots, artistic composition of the elements, framing, re aranging the location, standing positioning, etc. I hope the message gets across. Again not depreciating your work it’s amazing and thank you heaps!
Cheers from Egypt.
Dr. Ebrahim Saadawi
jennamartinphoto@gmail.com
Hey there! If I had actually planned this shoot, I would’ve love to do more of that! That’s why we did that in the aisles, to get everything. When we try this again in different locations, I’ll definitely be trying to do a lot more than I did in this shoot. This was just a fun thing to pass the time – had I known it would be getting as much traffic as it did I would’ve put more effort into it! ?. Thanks for commenting!
Robert Nurse
Hi Jenna! This was a marvelous idea and the photos look great! In scratching my head trying to find projects, I might give this a shot (no punn, LOL). Just one question about the shots with the lights. Was the model standing on something to get up that high?
jennamartinphoto@gmail.com
Hi Robert! She was! I had her stand on the edge of a cart so she would be raised up a bit – that’s why those ones are all closeup, I didn’t want to get the cart in the shot! 🙂
carywhittier.com
Jenna! great idea and very nice results! loved that you documented the scenes before & after your magic! and great lens choice! keep up the great work & inspiration! -cary
jennamartinphoto@gmail.com
Thank you so much! Glad you stopped by!
Mr. Brightside
Next challenge, ugly model in beautiful place, not so easy now is it.
jennamartinphoto@gmail.com
You basically just described all of wedding photography…which I did for years. So actually, I think it is. 🙂
MN Photographer
A super attractive model that holds herself well in front of a camera can make any place 10x better. Replace the model in these photos with someone ‘normal’ and these suddenly aren’t ‘amazing’. (I don’t mean to be negative… this article does a good job of illustrating how you don’t need sterotypical ‘beautiful’ backgrounds to make images work, I’m just pointing out that if your subject is striking, the background is less important… this task would be much more difficult with a normal looking dude in sweats who has a awkward smile.)
jennamartinphoto@gmail.com
The funny thing, is as a photographer, out job is to make any subject look beautiful (at least in conventional portraiture). Even if I had an ugly guy in sweats, when he is in front of the camera it’s my job to make him look amazing. That’s essentially what portrait photography is.
Umang Gupta
Which camera you used for this project?
jennamartinphoto@gmail.com
Hi! I used canon 5d mark III. You can use a much lower quality camera for something like this though if you’d like!
CPG
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vasile
it is not called “place-ography”, it’s photo-graphy, so when the light is beautiful you could draw nice pics with it. …the model has her merit too.
jennamartinphoto@gmail.com
Exactly why I chose somewhere where the light wasn’t beautiful. No windows, no natural light, only directly overhead fluorescent light. Non “photo-graphy” lighting, if you will.
Jeremy Smith
Very nice and what a great creative challenge. Love the edits except the last image — I think that SOOC shot is outstanding (price/info tag not withstanding) and sets a lovely mood vs the dark edit. Nice work!
jennamartinphoto@gmail.com
Oh man, that last one is my absolute favorite!! Difference preferences I guess – thanks for commenting! 🙂
Alfredo Richardo Haurissa
This is brilliant! Really love it
jennamartinphoto@gmail.com
Thanks so much!
Niklas Jonsson Westerlund
Absolutely brilliant concept and execution, and the great post-processing belies the natural light you worked with.
jennamartinphoto@gmail.com
Thank you so much! 🙂
Leonida L Dieter
Hey, that’s how I take photos. I thought it was my unique approach to finding beauty at its natural state! I’m told I take great photos and should become a photographer! Apparently I already am ♡ Thanks for sharing, great eye!
jennamartinphoto@gmail.com
Absolutely! That’s exactly what photographers do, and if you’re doing that already you’re definitely on your way!
anton nguyen
Hi Jenna! I’m starting photography and I by no means consider myself a photographer but I’m wondering how you edit the “lighting section” and changing the warmer colors to a light white in the edits? I really love the idea of taking photos in places of little interest and turning them into something extraordinary and that’s how I want to start off! And actually that is how I’m starting off, except without people (or even a friend) and I haven’t went to public places yet because I still need to learn what to shoot first and I’m still a little shy
I have photoshop and I have a basic understanding how to use it and I’d like to know basically what you’ve changed to edit the “lighting section!” I tried searching for videos, and I found many videos that taught me other useful post production stuff but I couldn’t find any to the extent that you did to your photos, I just need a little help haha
jennamartinphoto@gmail.com
Hi! There was quite a bit that happened in the lighting section, I don’t think I’d be able to explain it all over a comment reply. It’s really a personal style that took years to develop. I use Lightroom for the majority of my editing and then Photoshop here and there. I’d say to keep practicing and playing with as many of the settings as possible and soon you’ll have it all down to how you like it. Good luck and keep shooting! 🙂
medium.com
Awesome article.